Review: Mortal Kombat II

Building on thirty years of history, “Mortal Kombat II” arrives as a hard-hitting, visually updated sequel that stays true to its roots. Our JP reviews the Karl Urban-led epic.

Mortal Kombat II
Warner Bros. Pictures

  • Directed by Simon McQuoid
  • Written by Jeremy Slater
  • Based on Mortal Kombat by Ed Boon, John Tobias
  • Produced by Todd Garner, James Wan, Toby Emmerich, E. Bennett Walsh, Simon McQuoid
  • Starring Karl Urban, Adeline Rudolph, Jessica McNamee, Josh Lawson, Ludi Lin, Mehcad Brooks, Tati Gabrielle, Lewis Tan, Damon Herriman, Chin Han

Studio Synopsis:

From New Line Cinema comes the latest high-stakes installment in the blockbuster video game franchise in all its brutal glory, “Mortal Kombat II.” This time, the fan favorite champions—now joined by Johnny Cage himself—are pitted against one another in the ultimate, no-holds barred, gory battle to defeat the dark rule of Shao Kahn that threatens the very existence of the Earthrealm and its defenders. Karl Urban stars as Johnny Cage, alongside Adeline Rudolph, Jessica McNamee, Josh Lawson, Ludi Lin, Mehcad Brooks, Tati Gabrielle, Lewis Tan, Damon Herriman, with Chin Han, Tadanobu Asano as Lord Raiden, Joe Taslim as Bi-Han, and Hiroyuki Sanada as Hanzo Hasashi and Scorpion. Director Simon McQuoid returns to helm the follow up to his explosive 2021cinematic adventure, from a screenplay by Jeremy Slater, based on the videogame created by Ed Boon and John Tobias. The film is produced by Todd Garner, E. Bennett Walsh, James Wan, Toby Emmerich and Simon McQuoid, and executive produced by Michael Clear, Judson Scott, Jeremy Slater, Ed Boon and Lawrence Kasanoff. Joining McQuoid behind the camera are director of photography Stephen F. Windon, production designer Yohei Taneda, editor Stuart Levy and costume designer Cappi Ireland, with casting by Rich Delia and music by Benjamin Wallfisch. New Line Cinema Presents an Atomic Monster/Broken Road Production, a Fireside Films Production, Mortal Kombat II. The film will be distributed worldwide by Warner Bros.

Ludi Lin as “Liu Kang”, Mehcad Brooks as “Jackson ‘Jax’ Briggs”, Jessica McNamee as “Sonya Blade”, and Karl Urban as “Johnny Cage” in a production still.
Caption: (L-R) Ludi Lin as “Liu Kang”, Mehcad Brooks as “Jackson ‘Jax’ Briggs”, Jessica McNamee as “Sonya Blade”, and Karl Urban as “Johnny Cage” in New Line Cinema’s “Mortal Kombat II,” a Warner Bros. Pictures release.

J.P.’s Take:

The early ‘90s saw the emergence of one of the coolest, most controversial, and highest-grossing games of its time: Mortal Kombat. By 1995, the first film iteration had blown up on the big screen and did quite well, especially by ‘90s standards. In 1997, the sequel “Mortal Kombat: Annihilation” wasn’t so much of a hit, yet it still garnered a huge fan base. 2021 saw the reboot with the singularly titled “Mortal Kombat,” yet this time it leaned on the inner stories of the main characters of the game, with a hardcore, action-packed, and visually updated special effects showcase. It’s safe to say, 2026 sees a proper sequel, simply titled “Mortal Kombat II,” which truly earns its R rating to the max.

Despite the games sparking much controversy, due to their violent, bloody, and somewhat gory content, the movie versions of the ‘90s didn’t quite capture the mood the same way. In fact, looking back, there are moments in the films that felt dull and took themselves a bit too seriously to enjoy, as I had with the games. Yet, they were still a cool way to experience the lore and the characters at the moment.

With glee, I was surprised to see the filmmakers paid close attention not only to fanfare but also to the elements that made the gameplay so famous. We begin with the lore of the characters and the storied worlds they live in. “MK II” takes place just after “Mortal Kombat” (2021), jumping right into the action with a sense of purpose. We now get to explore two major characters and their worlds this time around: one being Kitana (Adeline Rudolph and Sophia Xu as young Kitana), Princess of Edenia, and her quest to avenge the death of her father, King Jerrod (Desmond Chiam), who once ruled Edenia. The other being the bigger-than-life Hollywood Actor / Martial Artist Johnny Cage (Karl Urban), whose shining personality and fame have faded.

Adeline Rudolph as “Kitana” in a production still.
Adeline Rudolph as “Kitana” in New Line Cinema’s “Mortal Kombat II,” a Warner Bros. Pictures release.
Karl Urban as “Johnny Cage”, Hiroyuki Sanada as “Scorpion”, and Josh Lawson as “Kano” in a production still.
Karl Urban as “Johnny Cage”, Hiroyuki Sanada as “Scorpion”, and Josh Lawson as “Kano” in New Line Cinema’s “Mortal Kombat 2,” a Warner Bros. Pictures release.

The beauty of this sequel is that we’re already familiar with the remainder of the characters, so they wasted no time moving forward to the battle scenes. Many of these moments play out exactly like the game, only without the console and controller. Writer Jeremay Slater (“Godzilla x Kong: The New Empire,” TV’s “The Umbrella Academy” and “Moon Knight”) approaches the script with a meticulous touch, blending humor and a delightful campiness that works to the film’s advantage. Johnny Cage’s carefree and somewhat clueless arrogance, paired with a hint of humility, injects a refreshing dose of levity into the story, making it all the more enjoyable. Kitana is a valiant young princess with a kind heart underneath her toughened, razor-sharp battle skills. She enriches the entire realm with a wealth of lore and backstory, effectively handling much of the narrative’s heavy lifting, much like what we see in the Mortal Kombat II game.

The films include some expository moments; yet the characters maintain a straight face, adding to the melodrama, while still delivering impressive, effects-driven stunts and performances. Additionally, the set pieces align well with the game’s visual style for a fully realized spectacle.

The ensemble for “Mortal Kombat II” sees a powerful mix of returning champions and iconic franchise newcomers. Leading the charge are returning favorites Lewis Tan as Cole Young, Jessica McNamee as Sonya Blade, and Mehcad Brooks as Jax, alongside the legendary rivalries of Joe Taslim’s Bi-Han (now appearing as Noob Saibot) and Hiroyuki Sanada’s Scorpion. The sequel significantly expands the lore of Outworld and Edenia, introducing Martyn Ford as the towering Shao Kahn, Ana Thu Nguyen as Queen Sindel, and Chiam as King Jerrod, while Xu and Tati Gabrielle join as young Kitana and Jade, respectively. Chin Han returns as the villainous Shang Tsung, while Damon Herriman joins the cast as the sorcerer Quan Chi. They are joined by Ludi Lin as Liu Kang, Max Huang as Kung Lao, and Tadanobu Asano as Lord Raiden.

LUDI LIN as Liu Kang in a production still.
LUDI LIN as Liu Kang in New Line Cinema’s “Mortal Kombat II,” a Warner Bros. Pictures release.
ANA THU NGUYEN as Queen Sindel in a production still.
ANA THU NGUYEN as Queen Sindel in New Line Cinema’s “Mortal Kombat II,” a Warner Bros. Pictures release.

“Mortal Kombat II” is also chock full of gore befitting of the game’s famed Fatality mode. Director Simon McQuoid deserves full credit for his return to this sequel, bringing a vibrant visual style and energy that makes the film flow seamlessly.

While I typically find video game adaptations into films lacking, the 1993 “Super Mario Bros.” stands out as not only the first video game-to-film franchise, but a notable exception to how they should be adapted. Unfortunately, most sequels to these films often go straight to video, missing out on the chance for a global release and the excitement that comes with it. Fortunately, “Mortal Kombat II” has many things going for it that it breaks those rules just enough to be a true stand apart from the rest.

I enjoyed this one and hope that any sequel that comes next keeps the lore and spirit going.

Official Site: Mortal Kombat II

Martyn Ford as “Shao Kahn” and Ludi Lin as “Liu Kang” in a production still.
(L-R) Martyn Ford as “Shao Kahn” and Ludi Lin as “Liu Kang” in New Line Cinema’s “Mortal Kombat 2,” a Warner Bros. Pictures release.
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